Re: About the Nextarillion.
Posted by:
jon (---.abel.net.uk)
Date: July 01, 2003 03:49PM
The revisions or projected revisions to which I refer are not (particularly) the rejigging of the cosmology (although that was a related process), but the heart-searching over the nature of his sub-created beings, and especially the Orcs. Did they have souls, and if not, why not? Also, he had some decidedly odd views on sub-creational reality; he never came clean and stated exactly what they were, but they seem to have been on the lines that if a sub-creator made something not real, but God thought it worthy of the honour, it would be taken up into Creation and made real. (The story of Aule and the fathers of the dwarves is an illustration of this process; not to mention Leaf by Niggle - and so is Pinocchio, come to think of it). Now this is a comforting thought for any artist, but it ain't Christian theology or anything like it. There is no sub-creation in Christianity; there is only one Creator, alone and supreme, and all that is is his work alone.
It seems that JRRT's work, especially as to the role of the Valar in general and Morgoth in particular, was criticised by his son John (the priest), and it caused a bit of a crise de conscience for JRRT. It is the obligation and duty of every Catholic (and JRRT was a very traditional and conservative one) to defend and propagate the faith, and at the very least refrain from producing anything inimical to it, and JRRT became worried that his mythology was not in accordance with his faith, and that by publishing it he might be giving encouragement to beliefs not his own. He had a right to be worried; there are New Age pagans all over the world clutching JRRT's works like some kind of sacred text, but few or none have ever been converted to Catholicism from reading them. He never resolved this conflict; in his heart his work was one with his faith, and he was sure that all he did was in accordance with the spirit of the word of God, but the letter of the word of God said different.
I criticise the Ainulindale and the Lion the W & the W not because they allegorise or bowdlerise Genesis and the Gospels - it's not my faith, after all. I criticise them because they are poor art. The Ainulindale is just ridiculous; it reads like some extract from the Book of Mormon, while TLTW&TW is pathetic. It takes a great and glorious story and makes a shabby copy of it, and the tone throughout is so preachy and patronising it makes me cringe. I don't know what Lewis' motives were, but if it were to refresh the Gospel story, he failed. (He seems to have been good enough company so long as you agreed with him, but he was very intolerant of views other than his own, btw).
As for the charm of the language, and JRRT's need to write stories to explain and enrich it, I didn't really mean Quenya etc. I meant English. His philological abilities have everything to do with the enjoyment of the books, because he understood the language he was writing in, and used it to his purpose as few other writers ever have or could. (He had some strange theories about that, too).
I have no conclusion to offer. It would be arrogant of me to offer one even if I had. I have said before, and it is a thing I believe very strongly, that all Art is subjective, all responses to it on some level emotional, and everybody is biased. And so we should be.
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I am very interested in the Universe. I am specialising in the Universe and everything surrounding it. - E. L. Wisty